About Sachar

Stringed Instrument Maker & Restorer

I began playing music at the age of eleven, learning mandolin, violin, and guitar, and later performing in a range of traditional and ensemble settings, including the Melbourne Mandolin Orchestra. That early experience as a player continues to inform my approach to making and restoration, keeping the focus on how an instrument feels, sounds, and functions for the musician.

In 1993, I began a four-year apprenticeship with violin maker John Ferwerda, specialising in violin bow restoration. In 1998, I travelled to Galway, Ireland, to study general stringed instrument making with luthier Paul Doyle. These formative years established a strong technical foundation and a respect for traditional working methods that remain central to my practice.

On returning to Australia, I spent several years broadening my experience in both making and restoration, working alongside and learning from a number of highly respected luthiers, including Richard Howell, Carson Crickmore, Benedict Puglisi, Jim Matheas, Tim Kill, Lennox Holt, and Roberto Cavignoli (Italy). This period of shared workshop experience was invaluable, shaping not only my technical skills but also my understanding of professional standards, judgement, and responsibility as a maker.

Practice & Work

My instruments are offered primarily through direct commission and by endorsement from a small number of respected teachers. Earlier work was placed through specialist music shops in Australia. Alongside instrument making, restoration remains an important part of my workshop practice, informing my understanding of structure, materials, and long-term behaviour of fine instruments.

I also make time to support emerging makers where appropriate, offering guidance and practical advice to those learning the craft.

Today, I work from my home workshop in the Dandenong Ranges, east of Melbourne, building classical guitars under my own name and undertaking selected historical instrument commissions and restoration work.

Mentors

My development as a professional luthier has been shaped by the generosity, advice, and shared knowledge of the many makers I have worked with or come to know over the years. I am deeply grateful for the contribution they have made to my work and career.

In particular, Richard Howell, Phillip Carson Crickmore, Benedict Puglisi, Jim Matheas & Ian Watchorn have been significant influences. Their openness, craftsmanship, and values have played an important role in shaping both my approach to making and my understanding of what it means to work responsibly within this tradition.